Writing is hard, what we do to give you a story

Writing is hard, editing is harder, but doing a rewrite after the editor has worked over your story makes me feel like the lowest slave rowing the galley or the only slave rowing (and everyone on the boat is standing over me with a whip). No wonder people never finish their book.

As you read this blog remember, I don’t want to slug through another rewrite of my manuscript. But, I WILL. I’m a writer, an author, and there are readers who want stories.

I think my problem is overwork, loneliness, and exhaustion.

I run two to three Zoom meeting a week. I got to create an agenda for each meeting, schedule the meeting, email everyone, and set time aside. On some of the Zoom meetings I have to write up the minutes of the meeting. It takes an hour to three hours for each meeting. Now I’m doing this for myself as well as for the others attending the meeting.

I’m amazed that some people have so much trouble using the zoom program. I figured it out so it can’t be that hard to do. And the meetings are appreciated, there are members of the meeting that have begged for more meetings.

Note to self; do a blog about setting up zoom. Email me if your interested.

Even with all the zoom meetings, the loneliness is wearing me down. I’ve been holed up for six and a half weeks. The only time I’ve been out of the house is to go to the grocery store or the drug store. I wear the protective stuff and I’m in and out of the store as quick as I can be. There’s no time for interaction or even browsing. And before the troubles my critique group fell apart. I have to join one of the on line groups.

The biggest problem is I’m exhausted. I’m helping people, I’m helping a club I belong to, I’m writing these blog, I’m taking a screenwriting course, I got a garden half full of weeds, and I’m writing two other books.

I don’t want to slug through another rewrite of my manuscript. But, I WILL.

The usual ad for my book.

In this time of stress there is nothing like a warm brownie.

One box of brownie mix.

One or two eggs (plus one more than is recommended by the directions on the box).

Oil as recommended on the box. I use olive oil.

Water as recommended on box. Tap or bottled water.

I use the directions from a box of cake mix.

In a large bowl add eggs. Using fork lightly beat eggs. Add water and oil. Beat mixture until foamy.

Add brownie mix. If you feel adventurous add a small hand full of walnut pieces and/or chocolate chips. Mix until just blended. Do not over mix. Mixture will be lumpy.

Pour, scrape with a spatula, into greased pan.

Baked as directed. I have found that my oven takes a couple of minutes longer to get center on brownies done. The oven also runs 25 degrees cooler than the knob says, so check your oven temperature with a thermometer. Give brownies the tooth pick test. Toothpick must come out clean. If worst turns to worst and the edge of the brownies are overdone and hard then trim the over done rim of the brownies off like the crush of a slice of bread.

If you need a quick cake. Add one more egg to brownie mix. A cake with nuts and chocolate chips in it will be a surprise.

Stay strong, write on, and don’t stress eat.

Professor Hyram Volage

For the Readers of Steampunk

This blog is taking a change of direction. This is a time of great stress and that is going to drive a lot of changes.

For years I have written blogs about writing Steampunk and the occasional rant about software. All I got were … well nothing. Then at Wild Wild West con 9 I had someone say they read my blog. I was shocked. Someone actually reads this blog.

Thank you, I should have gotten your name. Still, no one has ever said they still read my blog (o long time readers) and no one has ever objected to what I said. All my posts can’t be winners. Some of my post should have upset someone.

There are more readers than writers out in the big wide world, and I would like to sell a few books. So; I’m going to focus on readers. I hope that’s you. I still have a ton of stuff to say to writers. I and other writers like to share. If you have concerns about the change of directions for this blog, then let me know. The comment section is open or email me.

For writers reading this, go to the bottom of the blog for a on-line-class review.

How do I give the readers of Steampunk something? How about a book review? I’m always looking for a good book to read. If you have read a good book let me know. If the book has humor in it that is a plus.

Book review; “The Glass Gargoyle” by Marie Andreas.

I liked it. How that for a succinct review?

It’s got drunken faeries. What’s not to like. It’s a magical fantasy story. It’s a light read for this unusual time. It kept me guessing what was going to happen next. That is a big thing in books I like.

The author did make the jungle where the protagonist worked to charming. I’m a desert rat. Jungles are hot, damp, unpleasant places to live and work. I’m sure a person who lives in a jungle says the desert is hot, dry, unpleasant place.

Anything else I say could give away some of the plot so go read the book.

Plug, asking you to buy my book;

For Steampunk writers;

I’m taking Bryan Cohen’s Amazon Ad Profit Challenge free course. It’s five days long. It open until the 27th. It’s a come on to take his big course, but that’s normal. I’m impressed by the free course. It contains useful information and it makes you go through the steps of sitting up an Amazon Ad for your book. And did I mention it’s free?

I get the feeling that the operation is a bit of flying by the seat of his pants. There were some typos in the slides. That’s a turn off to authors. We have to work with words every day. And boy will readers complain if there is a typo in my book. But the slides were better done than another course I am also taking. The course is a struggle for me, but I’m an engineer and I don’t think like a writer. If you want to dip into making ads this would be a painless try out.

Recipes;

I’ve been eating lots of tuna fish sandwiches and bacon sandwiches. So here’s something a little different.

Chicken tacos.

1 chicken breast or thigh.

2 tortillas

2 tablespoons hot sauce

A bit of lettuce

1 small hand full of cheese

A dash of seasoned salt

Directions;

Heat eight inch skillet on stove. Add tablespoon of oil. Place tortilla in skillet. Flip tortilla over before it gets hard. Place heated tortilla on napkin to drain, heat other tortilla, then set them aside. This is how it’s done in Mexico near where I grew up.

You can heat tortillas over open flame using tongs. Be careful not to burn tortillas.

Cut chicken into quarter to half inch strips wide. Make enough for two tacos. Add a little bit of oil to skillet. Heat skillet. Place chicken strips in medium hot skillet. Sprinkle chicken with seasoned salt. Cook chicken till done, be careful to not over cook or chicken will be dry. When chicken is done place the strips on napkin to drain.

Build taco. Place chicken on tortilla. Add hot sauce, sprinkle with cheese. Add lettuce. Eat.

Stay strong, write on, read, and make ads.

Professor Hyram Voltage

Celebrate Bread Celebrate Your Steampunk Writing

Yesterday I made a load of bread.

Until a week ago I hadn’t made bread in decades. I have a bread machine, but it does not make a very good loaf.

The store was out of yeast except for a couple of little packets that cost more than a loaf of bread. I got lucky and was able to order some yeast online. There were very few places that had any for sale.

So I gathered up all the ingredients and dumped everything in the 25 plus year old bread machine and pressed go.

The top blew off the loaf. I figure I should not have scraped up the yeast I spilled and dumped the extra into the machine.

Bread was stuck to the bottom of the lid and the insides of the machine. It took me 45 minutes to clean the crusted/baked-on bread out of the machine.

The bread tasted OK and some of it got used.

For the second loaf I used less yeast and I set the machine to dough. I took the dough out of the machine and put it into a loaf pan and let it raise. The loaf came out half as high as it should have been and it was dense. This loaf tasted better and I made a couple of sandwiches out of it before I dumped the loaf.

The third loaf I used a different recipe and I proofed the yeast. The yeast was active dry yeast not bread machine yeast. I also measured the ingredients carefully. The loaf was much better, but a little dry and crumbly. This loaf taste much better and will get eaten. I still have some experimenting to do.

What does this have to do with writing steampunk?

The first loaf is like the first draft. The volcano hole where the top of the loaf should be is like a big plot hole in the first draft. The cleaning of the bread machine is like rewriting the first draft. They both are problems that take work to fix.

The second loaf is like a major rewrite of a manuscript. Sometimes you over do it. Like that loaf your writing can be dense. Unlike that loaf your writing can be saved.

The third loaf is like your manuscript after heavy editing. It’s close, but still needs work. All the parts are there, but something is not working out. The manuscript is usable, but not sellable. It will be.

Unabashed plug

Recipe for out of bread machine bread

Bread Machine dough for a one and a half pound loaf

Ingredients

3/4 cup plus 2 tapblespoons warm water (80 degrees F, I have read that
110 degree water will cause the bread to raise too fast and make large
holes in the baked loaf.)
4 teaspoons sugar
2 teaspoons yeast (dry active yeast is all I could get)
2 tablespoons butter (butter makes better bread than oil in my opion)
3 cups bread flour
1/4 cup of nonfat dry powder milk
1 teaspoon salt

Directions

Place the water in cup. Microwave water for 10 to 15 seconds till warm
(approximately 80 degrees). Add sugar and yeast to cup and stir. Let stand
for a couple of minutes or until starting to foam.

Make sure flapper is secured in bread machine bucket and bucket is well seated.
Add the rest of the dry ingredients; flour, milk, salt to bucket in bread machine.
Soften butter in cup or small bowl in microwave. Add to bucket.
Add yeast mixture to bucket. Close lid.
Set bread machine to dough. Press on.
After cycle is finished remove dough from bread machine.
Kneed dough for 7 minutes.
Grease inside of bread pan.
Place dough in pan.
Butter or oil top of loaf. Heat oven for two minutes then shut oven off.
Let dough raise in oven (oven is off and not hot but warm) for an hour or until dough it is over the top of pan.
Remove dough.
Heat oven to 350 degrees.
Bake bread for 30 minutes.
Cool and enjoy.

Stay strong, write on and may your writing cook.

Professor Hyram Voltage

Photographic Lesson Learned at Wild Wild West con 9

What does making a list of the problems you have taking photographs at a con have to do with writing Steampunk. Answer; everything. If you don’t learn from your mistakes you will not progress. If you don’t list and examine your mistakes, you will not learn from them.

There were several pictures I took at the con that were out of focus. That’s bad. The auto focus on the camera is good, but it can be fooled. Next time I need to set the area where the camera focuses to center weighted. Auto eye focus would not help, too many subjects were wearing sunglasses, dark sunglasses, and some were wearing masks. I don’t know how the auto focus would react to a mask.

The screen on the back of my camera is too small and the image on it is hard to see in the sun light. I knew this from last year’s wild wild west con. A professional photographer gave me some advice. She uses CamRanger. The device is a wireless link from your camera to an Ipad or Android device. Those devices have a bigger screen, so the subject can better see the picture that I just took of them. With the camera hanging from a strap around my next I can not hold the camera’s screen close enough to the person I just photograhed for them to see their picture without strangling myself. Also, if you’re lucky you can find a device that is viewable in sunlight.

I had two cell phones with me to use as view screens for the CamRanger to I could show people the pictures I had taken of them. I also had a battery stick for each of the phones. I did not have time to fully test the setup with the phones before the con. Big mistake. On the morning of the first day of the con I found that I could watch the battery indicator on the phone go down to no charge as I watched it. About every second the charge level dropped a percent. Using the Wifi feature of the phones is a big battery charge suck. I am going to get a bigger battery. That means I will have to haul around more weight.

Using the CamRanger will not only let the person I photographed see the picture. (Some of the people I photographed were in costume without their glasses or contacts.) What we do for steampunk. But it will also let me see the fine details of the photograph and catch things that make the photograph less than it could be.

A serious problem during the con was that I was tired. I had a deadline to meet at the same time as the con. I had to get a manuscript to an editor by Sunday. So I was working on it till I left for the convention, and after each day at the con I worked on the manuscript in the hotel room. Before the con I was also working on getting the CamRanger set up to work with my camera and the cell phones, which took away time from working on the manuscript. On top of that I drove 800 miles, some of it through heavy traffic, to Tucson. That and a couple of other things pushed me to the limit. Old Tucson is a big place and I walked all over it several times each day.

Next year I will have to make sure deadlines don’t pile up on the convention date. There is not much I can do about not sleeping well the first night in a strange bed, but I will try to leave a day early or break the drive up into two parts. I don’t know what to do about walking all over Old Tucson, maybe if I plan a route around Old Tucson I would have to walk less. I don’t think I can plan where the next great photograph will be, and I don’t think I can get them to move the talks I wanted to go to. Many of the talks were at the old church and the church is about as far away from everything as you can get. By the end of each day I was dragging.

During the con someone was wearing a vest just like mine. Luckily I had another one and a quick outfit change fixed that.

I ran out of memory on the micro SD card in the camera. I ended up stealing a memory card out of one of the cell phones. I had to spend a lot of time tracking down the Micro SD card, that was full of pictures, when I got back home. Those things are small.

Next year I am going to make sure that there are extra memory cards in the bag and I did not use the extra ones for something else, like put them in cell phones. I will also bring a storage container to keep the full and spare ones in so I can find the tiny things when I get back home.

I have a collections of old ribbons that hang off my con badge. The ribbons are getting frayed and worn.

Next year I will bring some of my own ribbons to advertise my books. PC Nametags here I come.

This year I had enough business cards. Last year I ran out. A Steampunker should have business cards.

This year I took several pictures that had reflections in the subject’s sun glasses.

This is going to be a hard problem to over come. Mirror sun glasses are almost impossible to photograph without something reflecting in the glasses. But there were surprise reflections in ordinary glasses. The sun was bright and made buildings, the ground and other things reflect in the glasses.

Getting CamRanger to work with a screen that will last eight hours on a battery charge, will help with the problem of reflections. The screen on the back of the camera is to small to see the reflections in glasses. You can sometimes see them but you have to look hard at the small camera screen.

I will add to next year’s check list, an item to take test shots looking for reflections. I may have to move to the other side of the street to get rid of the reflections or move under an over hang. This may take some work at home to figure out what to do.

I have always had a problem with things growing out of peoples heads in pictures I take. I photograph someone against a tree and it looks like a branch is coming out of the top of their head. Old Tucson was built to have lot of bric-a-brac. Not many flat featureless walls in the town. The pro photographer suggested I take a roll of seamless back-drop paper with me. Than would mean usurping a space to set up a couple of stands to hold the paper and I would feel I was getting in everyone’s way. Besides I was carrying a lot of stuff and it gets hot in Tucson carrying load of stuff.

What I need to do is get there a day early and scout the area. Find the places with traffic and good back drops. I have found a couple of places, but they are not very good places. I would need to find a subject to test the possible places out with and it would mean more walking around. Got to find a good doorway where I can open the door and pose the subject in the doorway.

Badges and root beer cups. I keep forgetting to ask the subjects to hide their con badge. Also, they were selling root beer and if you bought the cup you could refill it all day long. Too many of the subjects had the cups hanging off there costume. Looking at the pictures now, the cup looks out of place, it doesn’t fit the costume.

Add taking off the badge and root beer cup to the check list. Also add take several dollar-store combs along. Give them to a subject that needs to touch up his or her hair and let them keep the comb. Fly away hair is a pain to fix in post production (which means I’m not good at it and it takes a lot of time).

I did better this year in photographing subjects in the harsh Tucson sunlight. Still someone wearing a hat is difficult to photograph well with a bright lit background. Their face is in deep shadow and the background is over brightly lit.

I need to slow down and make sure I get the subject’s feet in the picture. That is my niche, or hallmark. It’s hard to make a selfie and get your feet in the picture, so I’m doing something they can’t do. That set me apart from other photographers.

The pro photographer suggested, actually insisted, that I take and use an inflatable beauty dish (it’s a light that gives a soft, but focused, light on the subject). One photographer there did use a blow up beauty dish Friday, but he did not use it on Saturday. It takes a light stand to hold the dish above the subject where it lights the subject the best, and it takes an assistant to move it around. It’s not that expensive, but it is a hassle. I like the freedom to move around quickly and not have to drag around a bunch of stuff.

I’m not a run and gun photographer, more like a stumble or lumber around and pause for a good shot photographer.

A small beauty dish does make a good fill light (so would a collapsible reflector). The fill light would add depth to the subject’s face and fill in shadows in the harsh sun. I need to go to where there are good pictures. Hauling a bunch of stuff around would slow me down.

I need to take a cloth to wipe off my boots. Old Tucson is dusty. The roads are not paved.

I need to buy a bottle of wine (each) for the author and the vendors that have helped me at the con. Is there a winery in Tucson? Is there a Trader Joe’s in Tucson?

I have to keep myself from getting lazy, but I was tired. I was dragging myself back to the car at the end of the day. I was almost crawling back.

I got to make a bunch of decisions for next year;
Do I get an assistant?
Do I get a wagon to hold my photography equipment? I could mount the light stand with the beauty dish to the wagon. I could build a chair on the wagon. It would beat the heavy shoulder bag I was lugging around. The bag gets heavy after I put all the books and other stuff I bought in it.
Do I work on posing subjects for next year? Where am I going to get a test subject?
Do I take a back drop? I can see where it would make for better pictures, but is it worth the hassle?

Next time you get a manuscript back from an editor make a list of the thing that were found. Use the list to study up on the things that you are weak on and keep making mistakes with. Also use the list to go over your next manuscript before you send it to an editor. The editor might charge you less if there are fewer corrections to make.

Stay strong, write on, and con on.
Professor Hyram Voltage

Photograhy and the Writer’s Voice

What does Photography have to do with writing steampunk or writing in general? They both have style.

I recently viewed a webinar on photography that was put on by Chris Orwig. He’s a landscape and portrait photographer.

In the webinar, he talked about how to develop your style. It occurred to me that a photographer’s style is the same as a writer’s voice.

Chris suggested that to clarify your style take a piece of paper, turn it sideways, and write the word photograph at the top. Underneath, randomly write the words that describe what you like about photographs. He had things like people, shadows, landscapes, sun downs, water.

This would work for a writer trying to find his voice. Take a sheet of paper and write Story or Novel or Book at the top. Under that randomly write the words that describe what you like about stories you read. If you like to read about funny heroes, then write that down. Same goes if you like to read about dark villains, humor, or serious stories. Don’t be afraid to add words that describe stories that you are not found of; slasher, serial killer, etc.

Chris then took the page of words and crossed out the words that didn’t fit what he wanted to photograph. Think of this as focusing on what you want to photograph or write.

If you’re a writer, do that. And if you read a book that has something you like, then add it to the page. This is a living document.

The next step, Chris made a list out of the words that were not crossed out. Next to the words in the list he wrote ideas of things to do to get the actions or things he like into his photographs.

Do the same. If you like funny heroes then write down how you could write a hero with a sense of humor. You don’t have to use any of your ideas, but it could remind you that at the worst of times your hero will crack a joke before taking on ten villains in a fight he can’t win. That is part of his character. If your hero can’t do that, then you need to bring a new hero on stage. I’ve had to do that.

Style will always change, it’s like re-inventing yourself. The list you develop to find and define your style and voice should be visited and possibly changed very 2 or so years. There’s no law that says your voice can’t grow.

I’ve got book two in the Deamon and the spy series in editing. Hopefully the editor will finish this time.

As I’ve said before, having an editor go over your stuff is like handing someone a hand full of cash and then a club and telling them to beat you about the head and shoulders, repeatedly. That’s only part of what I do to bring you a story.

Now, go buy my book

Stay strong, write on, and grow.

Professor Hyram Voltage

Magic, Is It Taking Over Steampunk?

Am I wasting my time writing steampunk stories that don’t have magic in them? This is a serious question. Leave your opinion in the comments.

I got the urge to write steampunk after the owner of a mystery book store got me reading Gail Carriger. I would not normally read a book with Vampires in it. If the book had Vampires and Werewolves, would not read the back blurb, unless it was a humors book.

The book was good and the magic in the book had structure. There was still a lot of hand waving, but the magic was not the Deux Ex Machina of the story solution.

She has steam rolled the genre so that if feels like a steampunk book must be filled with magic. Only people from a line of magic parents can do magic.

Consider, if a person could snap their fingers and produce a gold coin. Then by our physics, an old atom bomb that destroyed a city, only converted one gram of matter into energy. A nickle (a five cent piece) weights five grams. If that magically created coin weighted as much as a nickle then that person has the power to destroy the biggest city there is today. There is the nuclear hand grenade problem of throwing the magic far enough away that it does not destroy the magic user.

Back to me. Writing stories without magic doesn’t mean that my stories don’t violet the laws of physics. I mangle those law all over the place, or it wouldn’t be Steampunk. But my characters are not born special. Cue the song “You’re the one”.

Thomas Edison’s father was exiled out of Canada for political activism. He was also a shop keeper and then a shingle makers.

Tesla’s father was a priest and a poet.

Alexander Graham Bell’s father was a speech therapists.

These kings of technology did not come from a long line of inventors. Get real with your characters. They may be gifted, even have a golden spoon in their mouth, but they weren’t magically endowed. They worked to build their inventions. And it wasn’t easy. Edison set fire to a rail road car (when he was a kid).

Tesla worked differential equations without a computer or even a slide rule.

Mathematics were their magic language. Anyone can use mathematics. It’s hard, so most people don’t brother learning or using math. We should treat people that do math like wizards.

Unabashed plug. Read my book, and tell me how to make the book a better one. Where have you seen an offer like that before?

I apologize for not posting last week. I am the president of a small club. Before going to Wild Wild West Con 9 I talked with l the board members of the club and described my plans for what to do if the county was impacted by COVID-19.

I laid out that if the schools were closed or if there were case of community spread of the virus I would cancel the next meeting.

The club was founded in 1936 and no one can remember a meeting being canceled.

Wednesday before the Friday night meeting the president of the United States moved to block flights into the United States. One of the club board members called me and wanted to cancel the meeting.

I called and talked to the other board members and majority of them wanted to go ahead with the meeting. There was only one case of the virus in the county, and it’s a big county. I agreed with the majority.

The next morning I was reading the news and found that the Governor of California had requested that all major meeting of 250 people or more be canceled. He further requested that meeting of less than 250 people have a social space of six feet.

I canceled the meeting the day before it was going to happen. It may have been a request, but I figure that the Governor knows people that know a lot more than I do. I wanted to hold the meeting. I wish that the new of his request had been better published. It was way down in the news articles. I found the news in a business magazine.

Some of the club member are over 60 and some have health problems.

Someone said that; we do what we have to do for the better of the whole.

Stay strong, write on. Stay safe, protect yourself, and take this seriously.

Professor Hyram Voltage

Inventors Losers and Winners

One of the saddest stories I very heard is about an inventor. He spent his life working and working hard to develop a machine to peel tomatoes. For a farmer this is a big thing.

The inventor worked all his spare time on the project. He invested a lot of his money into the machine.

When the inventor passed away his widow took the working machine to a lawyer hoping to get some money for her retirement.

After a short time the lawyer came back. He told the widow that the device was commercially worthless. Commercial canners use acid to peel tomatoes.

One of the biggest winners is Edison. Not for developing the light bulb or electrical power distribution.

One day Edison walked into the offices of Scientific American carrying a machine. It was the first phonograph. What’s so special about a record player? Unlike the light bulb or the telegraph equipment Edison developed, the phonograph did not have dozens or hundreds of other inventors or scientists working on the problem of recording sound. You could call the phonograph an invention out of no where. It was not a incremental development of something others were working on like the light bulb.

As a side note Edison felt that the phonograph would become a great education device. Even the most remote and the poorest school could play lectures from the best teachers and leaders in any field. He did not see it becoming a toy and entertainment device. He underestimated how cheap the politicians would be at funding schools and how hide bound teachers could be.

If you’re writing about a steampunk inventor have him working on a problem that needs to be solved. And have him well versed in the problem and familiar with others working on the problem.

Recipe ——–

A salad with bacon.

If you’re having a salad to lose weight, you’re doing great. Don’t tease yourself, reward yourself. Skip the bacon bits and have a full slice of bacon. It’s a guilty pleasure.

Stay strong, write on, and maybe have two slices.

Professor Hyram Voltage

Why Does a Character Invent and Why Bacon Bits

Why does your steampunk main character invent. Many stories I’ve read treat the inventor as a genetic freak. It’s in their blood to invent, their parents were inventors.

Think about Marconi. His father was an aristocrat. Now some minor royalty did dabble in the sciences but that was considered below the dignity of many of the upper levels of society.

Or take Thomas Edison. His father was a exiled political activist, a lighthouse keeper, and a carpenter. Not an inventor.

Inventors have to eat. They would have to have other jobs, or a sponsor. There was no well fare in the late 1800s. The most complex things at the time were the railroad, the telegraph, and guns.

Railroads and telegraphs were tied together. They needed the telegraph to signal down the rail line to prevent trans from running into each other.

To make things for the rail road you needed a big foundry. Not something a single person could do. The world of telegraph was a hot bed of activity. Back stabbing was common. And Western telegraph companies were ruthless.

Weapons were another hot bed of change in the 1800s. Look at some old Remington catalogs and it looks like there were new versions of rifles and hand guns each year. There were also lots of independent inventors.

What you don’t see is a lot of inventors working on clocks.

Your main character could start out as a gun smith and then work his way into a gun maker. There is a difference. Things like fast firing guns would appeal to soldiers. The finance guys in the government hated them. They cost too much money for all the ammo the guns used. That’s one reason they used muzzle loaders in the civil war.